In a career spanning more than 30 years, Joe Henry has left an indelible and unique imprint on American popular music. As a songwriter and artist, Mr. Henry is celebrated for his exploration of the human experience. A hyper-literate storyteller, by turns dark, devastating, and hopeful, he draws an author's eye for the overlooked detail across a broad swath of American musical styles -- rock, jazz and blues -- rendering genre modifiers useless. He is a perennial worldwide song-writing poll-topper.

Mr. Henry has collaborated with many notable American artists on his own body of work, including Don Cherry and T Bone Burnett (Shuffletown, 1990), Victoria Williams and the Jawhawks' Gary Louris and Marc Perlman (Kindness of the World, 1993), guitarists Page Hamilton (Trampoline, 1996), Daniel Lanois and Jakob Dylan (Fuse, 1999), Ornette Coleman, Brad Mehldau, Marc Ribot, Brian Blade, and Meshell Ndegeocello (Scar, 2001), Bill Frisell and Van Dyke Parks (Civilians, 2007), Jason Moran (Blood From Stars, 2009).

In addition to his own recordings, he has cultivated quite a reputation producing records for Bonnie Raitt, Solomon Burke, Allen Toussaint, Lisa Hannigan, and Meshell Ndegeocello to name a few. Four of his productions have won Grammy's, and many others have been nominated. He has scored music and written songs for various films: Jesus' Son, Knocked Up, Motherhood, and produced tracks for the film I'm Not There. He also wrote the song "Stars" for the closing credits of HBO's Six Feet Under.

On October 27, 2017, he'll release his 14th studio album to-date, Thrum. Mixed live to tape and fizzing with atmospheric color, Thrum marks a middle distance between Henry's sonic experimentations in earlier records with the stark acoustic beauty of Reverie (2011) and Invisible Hour (2014) in which Henry has truly developed a voice on guitar. With that in the foreground and a broad palette around (often moving as a drum-less orchestra), he commands a batch of songs that, as is constant for him, acknowledges the complexity of what human motivations might really be.